La Traviata
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
0.0/10
8.6/10Elenco
Filmes Relacionados
Arizona Nunca Mais
O Retorno do Rei
Simplesmente Alice
Sonhos Eróticos de Uma Noite de Verão
Dois Missionários do Barulho
Demons: Filhos das Trevas
A Volta da Montanha Enfeitiçada
Justiça Para Todos
A Volta dos Mortos Vivos: Rave
American Ninja 3: Caçada de Sangue
Dois Olhos Satânicos
Natale a Beverly Hills
Regresso a Halloweentown
Acampamento Sinistro: O Retorno
Paparazzi
O Atalante
A Noite dos Mortos Vivos: Re-Animação
R2B: Operação Retorno a Base
Kathleen Madigan: Madigan Again
Madama ButterflySobre La Traviata
Sinopse de La Traviata
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.